{"id":7935,"date":"2021-02-28T23:47:31","date_gmt":"2021-02-28T22:47:31","guid":{"rendered":"https:\/\/www.archiv-frau-musik.de\/?page_id=7935"},"modified":"2022-11-08T19:14:16","modified_gmt":"2022-11-08T18:14:16","slug":"frauenanteil-berufsorchester-studie-zur-saison-2019-2020","status":"publish","type":"page","link":"https:\/\/www.archiv-frau-musik.de\/en\/frauenanteil-berufsorchester-studie-zur-saison-2019-2020","title":{"rendered":"On Women in High-Visibility Positions in Professional Orchestras in Germany | Report Season 2018\/2019"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7939 size-full aligncenter\" src=\"https:\/\/www.archiv-frau-musik.de\/wp-content\/uploads\/2021\/03\/mp-studie-fb-4.jpg\" alt=\"\" width=\"940\" height=\"788\" srcset=\"https:\/\/www.archiv-frau-musik.de\/wp-content\/uploads\/2021\/03\/mp-studie-fb-4.jpg 940w, https:\/\/www.archiv-frau-musik.de\/wp-content\/uploads\/2021\/03\/mp-studie-fb-4-300x251.jpg 300w, https:\/\/www.archiv-frau-musik.de\/wp-content\/uploads\/2021\/03\/mp-studie-fb-4-768x644.jpg 768w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/>musica femina m\u00fcnchen and the Archiv Frau und Musik Frankfurt\/Main Release Report on Women in High-Visibility Positions in Professional Orchestras in Germany<\/strong><\/p>\n<p>The <a href=\"https:\/\/www.archiv-frau-musik.de\/en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Archiv Frau und Musik<\/a> (Archive of Women in Music) and musica femina m\u00fcnchen have released a joint report which further highlights the discrepancy between male and female representation in Berufsorchester (professional orchestras), written by <span class=\"d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id hzawbc8m\" dir=\"auto\">German Chancellor Fellow<\/span> (Bundeskanzler-Stipendiatin) Melissa Panlasigui.<\/p>\n<p>The study examined the gender gap in Berufsorchester in leadership as well as in performance by cataloguing personnel and concert records for the 2019\/2020 season. In the leadership roles of general music director and artistic director, women comprised 8 % of positions \u2013 a number far below the general national level of 27 % women in leadership positions in Germany according to the Bundesagentur f\u00fcr Arbeit (2019).<\/p>\n<p>Data was analyzed for 120 orchestras comprising over 2000 concerts and more than 6800 performances of works to extract statistics on female representation as composers and conductors. On subscription series, less than 2 % of programming featured works by female composers. However, female composers accounted for 13 % of programming on contemporary music series. Contributing factors to this difference include the relatively higher representation of women among living composers, and the disproportionate amount of performance time in subscription series that is dedicated to eras in which women were systematically excluded from the practice of composition.<\/p>\n<p>Women made up 7 % of conductors active in subscription series. While the female proportion is on the rise, there is still cause for concern. The female participation rate of increase as conductors engaged by Berufsorchester is low relative to that of the German higher education student body, based on statistics compiled by the Deutsches Musikinformationszentrum (German Music Information Center) in 2019. This discrepancy is indicative of continued barriers to female professionalization in the realm of conducting, at least in the context of the Berufsorchester.<\/p>\n<p>The broad overview of women in high-visibility roles in the Berufsorchester provided by the report can be used to inform the implementation of systemic efforts to rectify the historical inequities that continue to manifest in these orchestras, and to serve as a benchmark to measure their efficacy. A <a href=\"http:\/\/www.musica-femina-muenchen.de\/umfrage-praktische-erfahrungen-am-arbeitsplatz-im-kontext-oeffentlich-gefoerderter-deutscher-berufsorchester\" target=\"_blank\" rel=\"noopener noreferrer\">follow-up intersectional research study<\/a> is in progress to investigate inclusion in Berufsorchester with respect to the multifaceted aspects of identity in addition to gender.<\/p>\n<p>Read <a href=\"http:\/\/www.musica-femina-muenchen.de\/wp-content\/uploads\/2021\/02\/Panlasigui-Women-in-High-Visibility-Roles-in-German-Berufsorchester.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">the full report HERE<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>musica femina m\u00fcnchen and the Archiv Frau und Musik Frankfurt\/Main Release Report on Women in High-Visibility Positions in Professional Orchestras in Germany The Archiv Frau und Musik (Archive of Women in Music) and musica femina m\u00fcnchen have released a joint report which further highlights the discrepancy between male and female representation in Berufsorchester (professional orchestras), &#8230; <a title=\"On Women in High-Visibility Positions in Professional Orchestras in Germany | Report Season 2018\/2019\" class=\"read-more\" href=\"https:\/\/www.archiv-frau-musik.de\/en\/frauenanteil-berufsorchester-studie-zur-saison-2019-2020\" aria-label=\"Read more about On Women in High-Visibility Positions in Professional Orchestras in Germany | Report Season 2018\/2019\">Weiterlesen &#8230;<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"generate_page_header":"","footnotes":""},"class_list":["post-7935","page","type-page","status-publish"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>On Women in High-Visibility Positions in Professional Orchestras in Germany | Report Season 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